What a Girl Wants
What a Girl Wants - Stream and Watch Online | Moviefone. Sep 28, · An American girl, Daphne, heads to Europe in search of the father she's never met. But instead of finding a British version of her bohemian mother, she learns the love of her mom's life is an uptight politician. The only problem now is that her long-lost dad is engaged to a fiercely territorial social climber with a daughter who makes Daphne's life miserable.
A girl with divorced parents is forced to spend quite a bit of time with her father when her mother takes off. He has no clue how women work and works at an advertising firm. A new boss comes in, and he's forced to come up with an ad that is geared towards women.
After finding that he doesn't know how to communicate with them and trying on products to get acquainted with a woman's life, the guy stumbles and falls into the bathtub and gets electrocuted. Afterward, he can hear women thinking. He uses this skill to start getting closer to his boss and his daughter. He finds that he develops a great girk with his daughter, but even then she doesn't want to be near him too much as she's a teenager. His boss becomes impressed with him but is annoyed as he starts stealing her ideas.
What a Girl Wants is a comedy with a runtime of 1 hour and 40 minutes. It has received mostly poor reviews from critics and viewers, who have given it an IMDb score of 5. Some platforms allow you to rent What a Girl Wants for a limited time or purchase the movie and onlinr it to your device.
What a Girl Wants "Trying to fit in. Born to stand out. Comedy Romance Drama. Dennie Gordon. Stream movies, series and sports. There's something for everyone. Watch Now Ad How to find a good nanny.
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What a Girl Wants. (1,) IMDb 1 h X-Ray PG. Daphne (Amanda Bynes), a spirited young American girl, travels to London in search of her long-lost father (Colin Firth), an influential aristocratic funslovestory.comor: Dennie Gordon. The Bluest Eye, published in , is the first novel written by Toni funslovestory.com novel takes place in Lorain, Ohio (Morrison's hometown), and tells the story of a young African-American girl named Pecola who grew up following the Great funslovestory.com in , the story tells that she is consistently regarded as "ugly" due to her mannerisms and dark skin. Watch What a Girl Wants Full Movie Online,An American girl, Daphne, heads to Europe in search of the father she's never met. But instead of finding a British version of her bohemian mother, she learns the love of her mom's life is an uptight politician. The only problem now is that her long-lost dad is engaged to a fiercely territorial social climber with a daughter who makes Daphne's life.
The Bluest Eye , published in , is the first novel written by Toni Morrison. The novel takes place in Lorain, Ohio Morrison's hometown , and tells the story of a young African-American girl named Pecola who grew up following the Great Depression.
Set in , the story tells that she is consistently regarded as "ugly" due to her mannerisms and dark skin. As a result, she develops an inferiority complex , which fuels her desire for the blue eyes she equates with "whiteness". The novel is told from Claudia MacTeer's point of view. She is the daughter of Pecola's foster parents at different stages in her life.
In addition, there is an omniscient third-person narrative that includes inset narratives in the first person. The book's controversial topics of racism, incest , and child molestation have led to numerous attempts to ban the novel from schools and libraries. Morrison was an African-American novelist, a Pulitzer , and Nobel Prize winner whose works are praised for addressing the harsh consequences of racism in the United States. Henry, and Pecola Breedlove, a temporary foster child whose house was burned down by her unstable, alcoholic, and sexually abusive father.
Pecola is a quiet, passive young girl who grows up with little money and whose parents are constantly fighting, both verbally and physically. Pecola is continually reminded of what an "ugly" girl she is by members of her neighborhood and school community.
In an attempt to beautify herself, Pecola wishes for blue eyes. Additionally, most chapters' titles are extracts from the Dick and Jane paragraph in the novel's prologue, presenting a white family that may be contrasted with Pecola's. The chapter titles contain sudden repetition of words or phrases, many cut-off words, and no interword separations. The novel, through flashbacks , explores the younger years of both of Pecola's parents, Cholly and Pauline, and their struggles as African Americans in a largely White Anglo-Saxon Protestant community.
Pauline now works as a servant for a wealthier white family. One day in the novel's present time, while Pecola is doing dishes, drunk Cholly rapes her. His motives are largely confusing, seemingly a combination of both love and hate. After raping her a second time, he flees, leaving her pregnant. Claudia and Frieda are the only two in the community that hopes for Pecola's child to survive in the coming months. Consequently, they give up the money they had been saving to buy a bicycle, instead of planting marigold seeds with the superstitious belief that if the flowers bloom, Pecola's baby will survive.
The marigolds never bloom, and Pecola's child, who is born prematurely, dies. In the aftermath, a dialogue is presented between two sides of Pecola's deluded imagination, in which she indicates conflicting feelings about her rape by her father. In this internal conversation, Pecola speaks as though her wish for blue eyes has been granted, and believes that the changed behavior of those around her is due to her new eyes, rather than the news of her rape or her increasingly strange behavior.
Claudia, as narrator a final time, describes the recent phenomenon of Pecola's insanity and suggests that Cholly who has since died may have shown Pecola the only love he could by raping her. Claudia laments on her belief that the whole community, herself included, has used Pecola as a scapegoat to make themselves feel prettier and happier.
When asked about her motivations for writing The Bluest Eye in an interview, Morrison claimed that she wanted to remind readers "how hurtful racism is" and that people are "apologetic about the fact that their skin [is] so dark. For example, Pecola, the main character, wishes for blue eyes as a way to escape the oppression that results from her having dark skin. Through Pecola's characterization, Morrison seeks to demonstrate the negative impact racism can have on one's self-confidence and worth.
As she concluded in her interview, she "wanted people to understand what it was like to be treated that way. Morrison commented on her motivations to write the novel, saying, "I felt compelled to write this mostly because in the s, black male authors published powerful, aggressive, revolutionary fiction or nonfiction, and they had positive racially uplifting rhetoric with them that were stimulating and I thought they would skip over something and thought no one would remember that it wasn't always beautiful.
Blue eyes symbolize the attractiveness and contentment that Pecola associates with the middle class. To Pecola, blue eyes symbolize beauty and associates it with whiteness.
Morrison, Toni The Bluest Eye. Jackson, Veda Clark Atlanta University. Retrieved March 23, The house symbolizes a home that represents some form of social class, personal situations, and morals. Morrison's writing of the book began because she was "interested in talking about black girlhood. Jan Furman, professor of English at the University of Michigan , notes that the book allows the reader to analyze the "imprinting"  factors that shape the identity of the self during the process of maturing in young black girls.
She references parts in the book where the main characters are taught to feel less than human, specifically when the shopkeeper avoids touching Pecola's hand when giving her candy. Susmita Roye, an associate professor of English at Delaware State University , notes that the novel emphasizes that living in a world defined by Euro-centric beauty standards creates a longing for whiteness, such as Pecola's desire for blue eyes, which attacks young black girls' confidence and perceived beauty.
Dick and Jane novels were popular in the midth century, and Morrison includes references to their titles in The Bluest Eye. They promoted the importance of the nuclear family and helped to foster literacy in young children as well. Morrison presents a more critical view of the novel's family standards. Morrison's graphic storytelling within The Bluest Eye challenged existing attitudes about keeping children's literature free of sex and violence.
The lifestyle standards found in Dick and Jane were not achievable for many children who shared backgrounds similar to Pecola. Debra Werrlein, professor at George Mason University , contends that the excerpts of "Dick and Jane" throughout the book project an image of an ideal family that contrasts with the family structures of the main characters.
However, as Werrlein points out, the whiteness of these characters stood to represent the ideal American family. In addition, the string of letters describing Dick and Jane's perfect parents as strong and kind are used to contrast Pecola's parents in the novel. Pecola's father is thus emasculated, Werrlein argues, because his behavior deviates from this standard for American family life.
Thus, racism is a prevalent factor in their broken homes. Bump asserts that the novel reveals the belief that the outside of people ultimately reflects their character and personality. This belief compromises people's judgement and they act upon internal bias.
Literary critic Lynn Scott argues that the constant images of whiteness in The Bluest Eye serve to represent society's perception of beauty, which ultimately proves to have destructive consequences for many of the characters in the novel. Harihar Kulkarni, an author of a book on African-American feminist fiction literature, recognizes that these Euro-centric ideals of family and beauty present in The Bluest Eye are shown to be transferred generationally, often between female relationships.
Critic Allen Alexander argues that religion is an important theme in The Bluest Eye , since Morrison's work possesses a "fourth face" outside of the Christian Trinity , which represents "the existence of evil, the suffering of the innocent. He further argues that much of Pecola's story suggests the insufficiency of Christian beliefs for minorities who exist in a predominantly white society.
Alexander suggests that the image of a more human God represents a traditional African view of deities, better suiting the lives of the African-American characters. Kuenz shows that Claudia conforms to what white society expects of her, as her affinity for Shirley Temple and other manifestations of whiteness illustrates the influence of the power of mass media. Kochar argues that to comprehend the complex violence inflicted on Pecola, one must analyze the novel through the Marxist and Feminist lens in addition to the psychoanalytical lens.
Brooks Bouson, English professor at Loyola University Chicago , claims that The Bluest Eye is a "shame drama and trauma narrative," that uses Pecola and its other characters to examine how people respond to shame. However, most characters in the novel pass on their shame to someone below them on the social and racial ladder.
Bouson suggests that all of the African-American characters in The Bluest Eye exhibit shame, and eventually much of this shame is passed onto Pecola, who is at the bottom of the racial and social ladder. Morrison's novel confronts self-hatred and destructive behaviors black women participate in to fit into the hegemonic image of beauty and whiteness. He claims that Morrison presents an "inverted world," entirely opposite from the Dick and Jane story that is at the beginning of the novel.
He goes on to identify how each of the characters are broken personally, since Cholly's former and present life is described as chaotic and jumbled, and Pauline both is responsible for her biological family as well as the white family she works for. The epitome of this, Page argues, is seen in Pecola at the end of the novel.
The events of her life, having broken parents in a broken family, have resulted in a totally fractured personality which drives Pecola into madness. Toni Morrison's work The Bluest Eye breaks the long tradition of narratives that discuss the hardships of war and depression in the s, as she brings forth a unique and untold point of view in American historical fiction.
The exercise is also critical for any person who is black, or who belongs to any marginalized category, for, historically, we were seldom invited to participate in the discourse even when we were its topic. As the Civil Rights Movement began to decline in favor of conservative ideals and white power, American culture soon fostered a national identity that excluded anyone who was not white.
The well-read, race-obsessed Soaphead Church in The Bluest Eye is the inevitable product of these theories. Pecola exists only in the image reflected by the Other. The points of view in the novel are also significant to its unique style. Morrison combines many narratives: two perspectives of Claudia at different times in her life, as well as an omniscient third person who connects the many tragedies of the characters.
The novel received minimal critical attention when first published; however, it was placed on many university reading lists in black-studies departments, which promoted further recognition. African-American critic Ruby Dee wrote, "Toni Morrison has not written a story really, but a series of painfully accurate impressions. Critics picked up on Morrison's shortcomings as a first time published author.
A common critique of her writing included her language in the novel, as it was often viewed as being made too simple for the reader. Within classrooms across the country, educators also disagreed over whether or not the novel was appropriate for children.
After reading the book, I had a student who said that she is the product of incest. As time passed, more reviews and analyses were written in praise of Morrison's writing of the "colonization of the mind," her critique of white versus black beauty standards, and even began to analyze her use of simplistic language, calling it a stylistic choice rather than a pitfall of the novel. The Bluest Eye has frequently landed on American Library Association 's ALA list of most challenged books because it contains offensive language, sexually explicit material, and controversial issues, as well as being unsuited for the age group.
She brought The Bluest Eye and four other books to the attention of the Montgomery County school board, describing The Bluest Eye and others as "lewd, adult books. Schwalm argued for the removal of the book from the syllabus because she deemed them to be "at odds with the character education programme" promoted within the schools. The passage in question featured Soaphead Church and presented pedophelia and child molesting, leading to Schwalm's objections to its presence in schools.
The book, however, was not removed from the curriculum as Schwalm's objections were not upheld in court. In March , The Bluest Eye was successfully banned from Baker High School language arts program in Baker City, Oregon after multiple complaints from parents about the content of the book.
Later, the book was banned for being "sexually explicit," "unsuited for age group," and containing "controversial issues.
In , parents of students at Stevens High School in Claremont, New Hampshire , objected to the book's being assigned to lower grade levels. As a result, the school decided to remove the book from freshmen and sophomore reading lists, and deemed that the novel was only "suitable" for juniors and seniors.
In August in Littleton, Colorado , the Littleton school board voted to ban The Bluest Eye from reading lists, where it was listed as optional, and remove it from the libraries of the Heritage and Arapahoe high schools, despite the recommendation of a committee that the book be restricted to juniors and seniors. The ban was enacted in response to a complaint received by a parent of a ninth-grader student who was on the board and who took issue with the novel's sexual content, specifically the scene of Pecola's rape.
Students protested the ban by reading passages from the book in their school libraries. In response to the ban, Camille Okoren, a student attending the sit-in acknowledged that "students hear about rape and incest in the news media.
It's better to learn about those subjects from a Nobel Prize winner