Interior Photography Tips Clean the room Remove personal things Keep animals outside the house Keep much daylight Choose a good camera body Use flashes Prepare lighting system Use several lenses Shoot wide Always use a tripod Mind the camera settings Correct White Balance Flatten all . The key to getting the best shots is to take interior photography around dusk ideally, that way there is a nice balance and blue sky which you can get from lowering you shutter speed but maintaining detail by increasing your F stops.
After making an impulsive decision to start A Glass of Bovino in Dec. The Canon T6 and my iPhone were both great to practice with, but as time went on, I had an itch to uplevel my photography skills. Goor did some research and realized that a full frame camera is best for shooting interiors as hhow allow more light into the photo. And since our house gets as photograpbs natural light as a Romanian bat cave, it was a no-brainer to upgrade.
I upgraded to a Canon 6D body and purchased a Tamron mm f 2. It took a while to figure out how to adjust the settings to capture the best photos how to delete all stored procedure in sql server our homebut the investment paid off and the quality of my photography has significantly improved ever since.
Most of these tips will apply to interior photography, but could definitely how to create a website business applied to anything you want to take photos intrior. And then I have to do it all over again, with the tripod. Exposure is the brightness of an image, and using the right exposure is especially important if you plan to take photos inside.
Your goal is to capture as much detail as possible. The same applies when using a camera. If your photos turn out too bright or too dark, you could always edit them, but the final result will be better when your exposure is properly adjusted while taking photos.
Positioning your camera is important for good composition, and shooting straight is key. This tip reminds me of the way I used to take photos, which was crooked and all over the place. I would hold the phone up to my chin and shoot straight down like my dear mother using her flashlight to read a menu in a dark restaurant.
When you tilt the camera up or down or in my case, slightly to the side?? The rule of thumb is to shoot at the same level of your subject. Even when shooting towards a corner which is common in small roomsyou should focus on vertical lines.
Another reason why a tripod is so important because you can line up your frame before shooting. I added vertical lines to the below photo to show you what I mean by shooting straight:. I try to shoot straight most of the time now, but once in a while I like to live on the edge and try out different angles and heights still with my tripodlike this:.
I usually adjust the brightness, contrast, tint, and temperature. These are the adjustments I made to a photo that looked wayyy too green thanks to the rainforest we have in our backyard:. Under HistogramI scrolled inyerior to Lens Corrections and worked some magic without doing barely any work.
I checked Remove Chromatic Aberration and Enable Profile Corrections which fixes that fisheye distortionand then scrolled to Transform and checked Auto to straighten. See the difference ttake the original right and above right photos?! Those double closet doors are no longer distorted and the image has an overall cleaner, straighter look. You may have heard this before, but I think interiof is the most important tip to take good photos.
That means no flash, no supplemental how to take good interior photographs, and no lights on. Our bedroom, shot with my iPhone Feb with the lights on, big no-no :.
To avoid weird shadows, try not to interrior on bright sunny days or when the light is pouring directly through the window. I shot the bedroom on a dark and gloomy day.
Do you see the green overcast in the left photo from all the trees outside? I taped thin white poster board to the window in the bathroom to filter all the green from the trees pouring in, but even then, there was still a green tint. You can adjust your window treatments to allow more or less light to come in, take a photo to see how it turns out, and then adjust again.
I mentioned above that one of the main reasons I upgraded to a full frame camera is to allow more light into the photos since our house is very dark. If you want to see exactly how I edit my photos in Lightroom and can get past the sound of my obnoxious voice and heavy breathing, check out my Photo Tips story highlight in my Instagram bio.
Do you use an iPhone or camera to take photos? Alisa, this is exactly what I was looking for. Thank you for breaking this down for us beginners. Meaning I want the room how to take good interior photographs not only look beautiful in person, but how to discipline your kids without yelling in photographs too, and a layered room achieves just […].
If you could learn one new home improvement skill. Captured this progress shot of old and new blended. Last night I asked about the ONE item you would sp.
When it comes to styling different surfaces your h. Is it be. What do you think of this commode becoming the foc. I recently mentioned via stories that the cost of.
Tips & Tutorials
David Livingston: The best times to shoot an interior and an exterior are eastside in the morning, and westside in the afternoon. The north and south sides can simply be shot whenever the light is bright. For your lighting, try to limit the extreme areas that are too dark or too bright.
Appears in. Latest From Houzz. See also. DIY Projects. Vanessa Brunner May 12, Houzz Contributor. Save Comment 48 Like Photography is one of those fine art forms that most people think is easy to do … until they give it a try. If you have a home design blog or website, you know how difficult it can be to truly portray how gorgeous your new office is on a dinky digital camera with three flash settings. Even if you do invest in great equipment, it really won't make a difference unless you know how to use it.
Want to understand why your shots aren't turning out like the pages of Elle Decor? Odds are, you're making a few errors that are fairly common among novice photographers. Luckily, four talented photographers on Houzz have provided us with examples of their gorgeous work, along with their tips on how to improve your home photography in terms of: 1.
Light 2. Focus and Exposure 3. Staging 4. Make sure to check out their photos and profiles to learn more about these exceptional photographers. Light David Livingston : The best times to shoot an interior and an exterior are eastside in the morning, and westside in the afternoon.
The north and south sides can simply be shot whenever the light is bright. For your lighting, try to limit the extreme areas that are too dark or too bright. You might need to add light to the dark areas, and pull the drapes in for some bright areas, or just wait around until the light is more even in that room.
Michal Venera : Shoot at dusk, or at dawn. You want the light to be soft — it makes the shots more flattering, and it softens the exterior. You want to try to match the exterior and interior light as much as possible. Early evening or late afternoon is the ideal time to shoot an interior or exterior.
After sunset can also be fun for an exterior if you're shooting an area with porch lights or other outdoor lighting. David Churchill : For me, there are no rules for when to shoot an interior. Often with a project there is a tiny window to shoot it. This is usually just after completion. Sometimes I get to choose a day with great weather, which can make a real difference to the quality of the images. Dusk is always a great time to capture good interiors, as you can easily balance the interior and exterior light level.
I would say that good weather is more important when shooting exteriors. If there is no sun, the light is very flat. I mainly use available light with interiors. I only use additional lighting to control contrast. If an area is too dark compared to the rest of the shot, I may add some. I try to do this so you can't tell I have used lighting so it feels natural.
I find I use this much less these days as many contrast issues can be sorted out in Photoshop. Matthew Millman : It's always best to try and wait for good light. Generally, there is a time in the day when most every room in a house gets "good light. Sunlight infuses a shot with energy and warmth, telling a more compelling story. This may mean you have to wait a few hours to get a better shot.
If you have the time, it's always worth it. Focus and Exposure David Livingston: When choosing an exposure, make sure to avoid over- or under-exposing a photo. Depth of field can be a difficult concept to grasp and execute. Have a tripod, and take a long exposure.
Use the preview function on your camera, study what depth of field is, have a bigger f-stop. I'd recommend f16 or f Michal Venera: The better the lens, the better the shot. No matter how good you are, it'll never be its best if you don't have a great piece of equipment. If you want to emphasize depth of field, use a tripod and set the lens somewhere in the middle — around That's ideal.
The sharpness of the lens will be at its best. David Churchill: The exposure is all dependent on the amount of light available. With interiors, I usually shoot between about 1 to 20 seconds at f Depth of field is basically what is in focus in a given image from front to back.
Generally I try to have as much as possible, but if I want to emphasize a particular element within an interior, I might make the depth shallower so that only that element is in focus while the rest is more blurred.
Finding the best shot takes a lot of experience, and there really are no hard and fast rules. Matthew Millman: Take lots of photos. Every project I shoot, I carry an extra camera around with me all day and I take tons of photos as tests. I shoot them at a high ISO on a low-resolution setting, and I never use them for anything beyond checking what looks good and how the light is playing through a space. And when we set up for a photo, if I don't feel like it is as good as it could be, I try the shot from a different angle.
Sometimes I'll do it again and again until I get it right. It takes a lot of shots to get one good one. Keep shooting and never settle for just okay. When staging, work with one color direction, and layer that color throughout the photo to add richness and depth.
Michal Venera: When it comes to staging, I personally don't do it, since most of my clients [such as Pottery Barn, Williams Sonoma, and Meredith Publishing] will do the staging ahead of time. However, a lot of photographers do. My general belief is that simpler is better. David Churchill: For staging, I try to keep things fairly natural looking and not too staged, as I find it easy for things to look corny when overdone. Probably the best advice I have been given with staging is: "If in doubt leave it out.
I think this adds another dimension to the image and gives scale and depth. As much as possible, I will try to catch people unawares. This particular photo was an area of Santa Monica with many tracks into the hills, which is ideal for horse riding. So I waited until someone came by, and captured them just at the right moment. Matthew Millman: While the eye can handle complexity well, the photo is more democratic and does not respond to clutter as gracefully. Your photos should be ambitious, trying to tell as much of a story as possible, but the styling or staging should be simple.
Let the project speak for itself. Do not add too much. And if a space is cluttered, pare it down. Remember that your viewer is building their own story about the space through your images.
If the images are messy, the viewer will figuratively trip on the things in a space and miss the design. However, if the space is crisp not sterile , then the viewer has room to imagine what they would feel like if they were there. Framing and Composition David Livingston: Both wide frames and tight frames work well for interiors. I'd recommend tearing apart magazines and studying the photos you like, and then trying to recreate them. One of the best pieces of advice I've gotten is to try to keep things straight up and down — keep your camera plumb, and and don't tip it up or down to get your shot.
Instead, move the whole camera higher or lower to get what you want in the frame. In order to get an interesting shot, I think about whether or not I like the composition, or if I would want to walk into the space.
The shot is interesting if it draws you in. Michal Venera: You really want to have a wide selection of shots, so take more than you normally would.