the rap flow router
Mar 03, · FOLLOW me on twitter: funslovestory.com this video, I speak and humiliate myself on how to Flow. This is basically the way it is funslovestory.com Fa. Jan 31, · You need to work your breaths or pauses in just like you would work your syllables in to create your flow. Breathing and pausing are just as important to your flow as the syllable count and sustained words and stressed syllables. I typically like to take a breathe during each bar.
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We have lots more on the site to show you. You've only seen one page. Check out this post which is one of the most popular of all time. I want to throw in a caption ahead of time. TRAP rap follows a different pattern of kicks and snares. The same principals apply. Beats have a tempo and rhythm they adhere too. Or it would become jazz music. Hip hop and trap follow similar time signatures. Trap will place snares all over the place, and many times on the 3rd beat.
I will go into more detail there. A beat is a piece of time. A bar is four beats repeated. The kick and snare are two different types of drum beats that create the basis of a hip hop instrumental. The kick sound is more of a thud or boom sound. The snare sound is more of a clap sound. For example: You stomp your feet on the floor and clap to keep a beat going. Kicks can vary in types of sounds, essentially anything the beatmaker wants to use. The snare type drums can also be any type of sound as long as there is a contrast between the kick and the snare.
You ever hear someone say I like that boom-bap type rap flow? The boom is the kick and the bap is the snare. Cool, right? Do not focus on the hi-hat for now. Though it can come into play designing your words to go over the beat. Being able to identify where the kicks and snares are in the track is going to be the most important thing.
Count out one — two — three — four so the kick lands on the one and three. And the snares land on the two and four beats. If you can do this, then you are golden. You can break down many rap songs with a four-syllable word. Stressed and unstressed syllables will intertwine with the count of four.
Arrange words in different places over your beat to maintain a dope rap flow. Flow in rap is the flow of how your words fall onto the kicks and the snares.
The ways you change this up will make up the pattern of your rap flow. Some beats move fast and some beats move slow. So you will be able to either fit more words in a bar, or less words in a bar. Depending on the speed of the instrumental. All the time. In the background. In general, you want your rhymes to land on the 4 beat of the bar. In order to keep it moving. The rhyme at the end of the bar is like a period to let people know you are moving onto the next line.
Over time this has morphed and evolved into a complex set of rhymes mixed in with the rhyme on the 4th beats. This is where multi-syllable rhymes come into play. Internal rhymes, skipping a rhyme on the 3rd bar and so on. Super simple but all of rap flow is based around the premise that you have to bar sequences in order to get your point across. The idea is that four bars generally gets across your main idea, and the verses are usually made up of bars.
So, you can have two or four sets of four bars to get across four different ideas. Then bam you have a full bar verse. Or do 8 bars of the same rhyme scheme or even 16 bars of the same rhyme scheme. Get creative , this is meant to teach the fundamentals. So that you can venture off and create something new and exciting.
Many times doing a full 16 bar verse with the same rhyme scheme can get quite boring. Many rappers will change up the sound of the pattern because if you keep the same assonance the whole time for 16 bars it can get quite annoying to listen too. Poetic meter and what it can teach you about rap flow. But understanding this will make you a better rapper. So, if you understand rhythm and words, then you can apply it over a beat as well.
This will allow you to change up your rap flow. All you need to know for hip hop and how to apply it to rap flow is there are five different types of meter to understand. As long as two syllables follow each other in this order it is iambic. First an unstressed syllable followed by a stressed.
Here is an example of iambic being repeated 5 times consecutively. And is an example of Iambic pentameter. The pent for repeated 5 times. Trochaic is two syllables. First, a stressed syllable followed by an unstressed syllable.
Or in regards to a phrase it would look something like this if repeated 4 times. Spondaic is two stressed syllables back to back. This is what we call Spondaic. Anapestic is three-syllable. First, an unstressed syllable followed by an unstressed syllable and a stressed syllable. But in theory, this can be used to create new and unique patterns of flow over beats. You can fall off the beat and use pauses and sharp stops in certain bars to change up your patterns. You can combine dactylic with anapestic and then switch back.
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Step 1: Count To 4 — Seriously Each one of those numbers represents a beat. Step 2: Identify The Kick And Snare The kick and snare are two different types of drum beats that create the basis of a hip hop instrumental. The 2 beat is a snare. The 3 beat is a kick. The 4 beat is a snare. Kick-snare-kick-snare, Boom-bap-boom-bap. Obviously t rap flow is different. Couplets are two bars that share the same rhyme scheme.
Quatrains are four bars in a row that share the same rhyme scheme. Let me break this down further. Iambic Iambic is made up of two syllables.
An unstressed syllable and then followed by a stressed syllable. There are two syllables. Trochaic Trochaic is two syllables.
Spondaic Spondaic is two stressed syllables back to back. Meter With 3 Syllables Anapestic Anapestic is three-syllable. And for those wondering about that triplet flow they hear Migos and many other rappers using. Dactylic Stressed syllable then followed by two unstressed syllables. Continue Reading.